Hello everyone, today I will answer some questions about what a producer does, including what a producer is. Many people still don’t know, so today, Let’s analyze it for everyone, now let’s take a look! If your problem is solved, I hope you will pay attention to this site, thank you~
Table of contents of this article
- What is the concept of a producer
- In film production, what are the duties of a producer, consultant, producer, etc.
- What does a producer do in a movie or TV series
1. What is the concept of a producer
For the public, movies are entertainment, and they allow us to enter another world. People care about the stars, the story and the entertainment. For business people, they usually show a strong interest in film investment, box office, derivative products, and advertising. But for managers who want to be inspired by the operation of the film industry, we should not ignore that there are hundreds of people behind almost every film, lasting from months to years, and behind every picture is their collaboration , conflict and harmony. Behind the scenes of every film, producers, supervisors, directors, directors of photography, and star actors need to \”reach an agreement\” on issues such as investment, art, and process. The relationship between them at the work level and social level affects the management of creative organizations. It has reference significance.
This will focus on the unknown core role of the \”Executive Producer\” in the film industry. He is responsible for the daily operation and planning of the film. Producer is often confused with two other roles in the film industry, Producer and Production Manager (which can be literally translated as production manager). The former is the investor of the film, also known as the producer; the latter is the person in film production. A mid-level position responsible for specific operational matters and reporting to the director and producer.
For the role of the supervisor, someone described it this way, \”He usually represents the producer or the legal person of the production company, and he is responsible for the total budget and preparation of the film crew\’s expenses. The specific shooting schedule of the film supervises the director\’s artistic creation and financial expenditure on behalf of the producer, and also assists the director in arranging specific daily affairs. In the film crew, the producer and the director are often in conflict, and they are often in tit-for-tat opposition. Everyone insists on their own opinions and refuses to give in to each other.After filming the film, they shook hands and made peace. ”
Open any Hollywood movie poster, and we can see three to five rows of densely packed staff lists at the bottom of the picture. For ordinary viewers, these crowded A long, thin text is almost meaningless – if there is one or several movie stars already known to the audience in the film, the film producers will not hesitate to make their names larger, bolder, and The intersection of two golden lines in the poster screen
However, the public’s expectations of the Hollywood industry do not lie in the creation of this group of prestigious directors and actors. What a film of artistic achievement. The film industry products that come off the assembly line one after another and entertain consumers to death in front of the big screen are the most fascinating products of this entertainment era. The producers are the movies.
As the list on the \”War of the Worlds\” movie poster shows, even if the public visibility of the producer is far less than that of the big-name stars behind him. , but as core figures in the film industry, their position is always ranked before the director. According to Hollywood standards, the core members of the production team are the executive producer and the producer.
In a film production team, there are usually two main parts. One is the artistic part responsible for the director. He guides the actors\’ performances and determines the presentation of the picture. He wants to inspire the actors. The acting talent of the film determines the overall artistic effect of the film; the other is the operational part responsible for the producer, who usually formulates the film production plan: when to start shooting, when to complete, and what the progress is. He is also responsible for the logistics support of film production. , in fact, the team he leads is responsible for almost everything except art.
\”I wonder if you have read my new book \”Hollywood Revelations.\” 》. In bookstores, it is always misplaced on the film shelf. In fact, all I talk about in it are business models. \”Faced with this confusion between art and commerce, film critic Zhou Liming is somewhat helpless. The same situation also occurs in the Chinese film industry, such as the attitude towards the role of producer.
On July 21, the film \”Namtso\” produced by Wang Xiaoshuai was launched in Beijing. Previously, the film \”Green Red\” directed by Wang Xiaoshuai won the Jury Prize at the Cannes Film Festival. Wang Xiaoshuai\’s Public visibility reached a new peak after the movie \”Seventeen Years Old Bicycle\”
\”Namu Co\”.This case started when the production company came to me to collaborate. I had just finished filming and didn’t want to be a director right away. So the best solution is for me, as the producer, to integrate resources from all parties. Wang Xiaoshuai interpreted his role in the crew this way, \”Currently, many domestic producers are people in the arts. My work on the crew of \”Nam Co\” focuses on artistic creation. For me, the market and art are difficult to juggle. \”
Such a position of responsibility is far from the description of a producer in the American film industry. \”Usually the producer is not a pure artist. Producing should be a management job. He takes the money and manages how it is spent, which is equivalent to the boss\’s representative. The qualities he needs are different from those of a director. A producer needs to understand both art and business. \”In response to Wang Xiaoshuai\’s explanation, Zhou Liming said.
In recent years, there have been few successful supervision cases in our country\’s film market. In our country\’s film production system, The position of producer is often held by some \”authoritative people\” who have little relationship with the film. Talking about this situation, Gong Jicheng, a professor at the Department of Management of Beijing Film Academy, was deeply moved: \”I have participated in many such things. Although I don’t have much social influence, if a professor from the Management Department of Beijing Film Academy is listed as a ‘supervisor’, it will still look a little different on the surface. ”
Although it is in name only, such a position setting can objectively promote the market distribution of films. In 2004, \”Hero\” and \”House of Flying Daggers\” successively Released in the United States. Since Miramax successfully invited Quentin Valentino, the director of the box office bomb \”Kill Bill\”, to serve as the producer of \”Heroes\” when it was released in the United States, a large number of action movie fans were interested in Quentin. But when \”House of Flying Daggers\” was released, due to the lack of eye-catching commercial selling points, even though the martial arts craze continued to heat up around the world, its cumulative overseas box office of US$81 million was 1.23 higher than that of \”Hero\”. The achievement of US$100 million was less than 1/4.
\”I once asked Quentin to be the producer of one of my movies, but he was unable to do so due to some domestic reasons. accomplish. Otherwise, when it is released overseas, if there is a big-name producer, it will receive more attention from all aspects. Wang Xiaoshuai said, \”Both Tian Zhuangzhuang and Jiang Wen have served as supervisors. Their role is to support young directors in taking their first steps.\” For example, I am supervising the production of \”Namu Co\” this time, and I also hope to be able to help the film\’s market. ”
In the film crew, the director and the producer are the two centers of power. Sometimes they even conflict or exceed their authority, causing such turmoil that one party’s Power has been completely eclipsed. \”The producers often claim that \’the crew is in harmony,\’ but in fact this is absolutely not the case.Yes, there are very few. If there are media reports that an important member of the crew has withdrawn from the crew due to physical discomfort, it is actually the result of a power struggle within the crew. ” Zhou Liming believes.
The Hollywood masterpiece \”Gone with the Wind\” won the Oscar for Best Picture in 1940. However, the crew of the film was iron-fisted during the filming process. Producer David O. Selznick caused turmoil and the director changed hands three times. After the film was released, American media pointed out that \”Gone with the Wind\” was actually produced under Selznick\’s close supervision and careful guidance. Completed. As for the so-called Oscar for Best Director, in fact, the workload of the three directors before and after is only about half of Selznick\’s.
In China, Jiang Wen, who has twice served as a high-profile producer, has frequently pushed himself into the center of storms for the crew because of his strong acting style. From the time the movie \”Looking for a Gun\” produced by Jiang Wen came out, director Lu Chuan has been in various roles. It has been suggested more than once in the media that the film is just a film \”directed by Jiang Wen and signed by Lu Chuan\”, indicating that Jiang Wen, as the producer, had too much involvement in the director\’s affairs. \”Master\” again exposed the conflict between producer Jiang Wen and director Chen Yifei to the media\’s lens.
In the face of frequent conflicts between domestic directors and producers. , Wang Xiaoshuai said: \”There should not be an antagonistic relationship between the producer and the director. I will try my best to communicate smoothly with the director and push the film in a common direction. ”
It is the responsibility of the supervisor to find a balance between artistic effects and commercial interests. If the director is in charge of the finances, he will usually stubbornly insist on increasing financial investment to achieve the goal. Guarantee the quality of the film. However, no commercial project allows for endless overruns. Since the artistic stance and the administrative stance can easily conflict, the director and the producer need to constantly weigh the priorities and decide whether to persist or compromise. The movie \”Titanic\” was a huge box office success, but director James Cameron had to face the embarrassing situation of \”nothing to film\” for a long time because Cameron was on the crew. It is too strong and the producers are completely unable to control the flow of film funds. Industry insiders clearly realize that such an extreme success model will not be replicated.
\” There must be checks and balances within the production team. Although power can sometimes make a film move more smoothly, if only one person on the crew has the final say, the entire production process becomes an irrational gamble. \”Zhou Liming said. \”Cleopatra\” is the tragic product of such a power imbalance. Under the director\’s totalitarian rule, this box office poison set a recordA huge deficit of $18 million. Coupled with inflation and other factors, it was an astronomical figure for the U.S. economy at that time, and the investor 20th Century Fox almost went bankrupt as a result.
Film producer (Producer), also known as \”producer\”, refers to the investor of the film. The commercial nature of a film determines that the producer is the master of the film and has the right to decide all matters regarding the filming of the film, including what kind of script to shoot, hiring directors, photographers, actors and sending film supervisors to manage the production funds on its behalf. Review the filming funds and control the entire filming process. After the film is completed, the producer also needs to develop and print the film to promote and sell it to the market.
ExecutiveProducer. The supervisor is usually appointed by the producer or the legal person of the production company. He is responsible for the total budget of the film crew and the preparation of the specific shooting schedule of the film. He supervises the director\’s artistic creation and financial expenditure on behalf of the producer, and also assists the director in making specific arrangements. daily affairs.
Producer (ProductionManager, which can be literally translated as production manager) is a mid-level position in film production. He is responsible for specific operational affairs and is responsible to the director and producer.
2. In film production, what are the roles of producer, consultant, producer, etc.
Producer: The core figure behind the movie. He is responsible for the daily operation and planning of the movie. The other two roles are confused, producer and production manager (production manager can be literally translated as production manager). The former is the investor of the film, also known as the producer, and the latter is a middle-level position in film production responsible for specific operational matters and reporting to the director and Producers are responsible for planning film planners, which is unique in the signature column of domestic work. In foreign countries, such as France and the United States, there will be a first producer and a second producer. It is said that their scope of work is mainly to find funds, pre-production, post-production and distributors. Some work guidance such as transactions (there is also advertising work that is promoted to the market in China and there is no such thing abroad) is for the guidance and help provided by experts or qualified personnel on a certain aspect of the film, and a signature is signed at the end of the film to thank the consultant. Consultants can be understood as \”hired questions\” who are hired by the crew to \”ask\” questions. It can also be said that they are experts in movies and the director will listen to their opinions
3. What does a producer do in a movie or TV series?
1. Producer: usually responsible for market research in the early stages of the film.Check to see if there are prospects in the film market for similar films (such as box office performance, popularity, possibility of sequels, etc.), and decide through research whether it is worth producing the film. If the answer is yes, then they will find the investment producers and related personnel of the film group they belong to, and start selecting directors, scripts, actors, sponsors, etc.
2. Producer: The task is basically the same as that of the producer. He is responsible for the \”catalysis\” of the entire film and urges everyone to complete the film quickly, but he also To ensure quality. At the same time, he is also the \”manager\” during the filming of the film, responsible for supervising the entire film production process to ensure that no one is cheating or wasting investors\’ money, etc., which is similar to the role of a project supervisor.
3. Consultant: If it is a film with historical themes or other professional themes, in order to make the film more convincing or credible, and provide necessary For guidance and help, the producer will invite authoritative people to serve as film consultants.
4. Director: Responsible for portraying the characters in the script and using various shooting resources (props, venues, actors, etc.) to interpret the script. Filming, copying, etc.
5. Assistant director: has the roles of director and producer, and is the director\’s right-hand man.
6. Supervision: Mainly for the script, providing advice to the director on the filming work in order to maintain the original appearance of the script.
7. Actors: interpret the content of the script according to the requirements of the director and the script.
8. Set management (stage management): Responsible for providing necessary items and convenience measures for filming, such as preparing props, selecting scenes, maintaining order on the set, and doing a good job Logistics service work, etc.
9. Set decorator: Responsible for arranging the scenes on the set according to the script and the director\’s requirements.
10. Lighting: In order to achieve the artistic effect of the film, the lighting effects on the set are arranged according to the script and the director\’s requirements.
11. Stylist: According to the script and director\’s requirements, the actor in the film will be given a look.
12. Makeup artist: \”It is always appropriate to wear heavy makeup and light makeup.\” Makeup artists also need to apply makeup to actors in accordance with the script and director\’s requirements, while also taking into account the styling. requirements.
13. Stunt personnel: According to the content of the script, the film adds exciting scenes, but it must be performed by professionals, and the stunt personnel play an indispensable role.
14. Post-processing: After the entire film is shot and sealed, the director and producer, after watching the master film, feel that some areas need to be processed with technological means to achieve the artistic effect of the film. If necessary, some shots may be reshot. During this period, there will be soundtracks, dubbing, subtitles, special effects, etc. correspondingly there will be composers, voice actors, special effects personnel, etc.
15. Composer: for. The film is arranged with appropriate music. There will also be bands, conductors, singers and other personnel.
16. Editing: There will inevitably be a lot of editing during the filming process. Repeated or redundant shots, in order to make the overall effect of the film natural, harmonious and smooth, while taking into account the style requirements of the director and the script, the editor needs to cut out unnecessary shots in the entire film.
